Our mission: The Plagiarists steal from literature, visual art, history, and the culture at large to create new theatre that finds the familiar in the strange, the unique in the commonplace and ultimately enlarges the world.
The Plagiarists 15th Birthday Gathering August, 2022
ABOUT THE PLAGIARISTS
MISSION STATEMENT
The Plagiarists steal from literature, visual art, history, and the culture at large to create new theatre that finds the familiar in the strange, the unique in the commonplace and ultimately enlarges the world.
LAND ACKNOWLEDGEMENT
The Plagiarists is an itinerant storefront company, but as a Chicago resident all our shows, rehearsals, and events take place on land that has seen human activity for thousands of years. We want to honor and acknowledge the original caretakers of this land, a land we live on and benefit from. Formerly known as Zhigaagong, Chicago is part of the traditional homeland of the Anishinaabek and the Three Fires Confederacy, which include the Ojibwe, Odawa, and Potawatomi. This area has also been a site for trade, gathering, and healing for many other tribes. Today, Chicago hosts one of the largest urban Native populations. We wish to acknowledge that every treaty made between Indigenous tribes and the U.S. government for the basic needs and rights of Indigenous people has been broken by the U.S. government. The Plagiarists acknowledge that we steal, borrow, and reshape art, literature, and history, and we recognize that much of our culture in America has been stolen from others, not the least of which are those that are indigenous to this land.
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COMPANY ANTIRACISM STATEMENT
The Plagiarists acknowledge that we are currently made up of primarily white, college-educated members. Due to our historical make-up, we recognize that we may have caused harm to those of historically-excluded backgrounds. We want to be accountable for any past actions that the company may have taken that have been harmful, and we apologize to those we’ve hurt with our actions.
While we already strongly believe that racism is intolerable in our spaces, we want to make anti-racism an integral part of our practices. In 2021, every company and board member completed a 2-hour anti-racism training video. We then hired a Diversity, Equity, Inclusion, and Belonging consultant who conducted 4 sessions with company members to help us identify where we currently are as a company and create a set of commitments and actions to help us move towards rebuilding towards an anti-racist company. These commitments and action items will be reviewed and updated at company meetings, with a detailed check-in on our overall commitments and goals at the end of each fiscal year.
We want to increase the perspectives that are included in decision-making and creative processes at every level: we want to bring in more BIPOC company members, board members, and artists on both sides of the table in our productions. We believe that true Diversity, Equity, Inclusion, and Belonging means more than just putting BIPOC actors on stage - it means that we tell stories in ways that include a wide range of perspectives, and that we create a safe environment for every person that works with us.
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OUR STORY
In 2007, six artists (the future founders of The Plagiarists) came together to produce a single play: a sweet, unpretentious story of two odd, shy young people who fall in love. However, after a year of rigorously organizing and fundraising, the rights to the play were pulled and the group was left with a theatre booked but no show to perform.
Refusing to be defeated, they decided to create a brand new piece that no one could take away from them-something they would write together about their own experiences, a play born directly out of the heartbreak of having their original dream taken away from them. And so they assembled a comedy wrought from their experiences as theatre artists in the city, safe from the interference of the oppressive powers that be.
The success of the resulting show, both its creation and reception, led the group to decide to continue to make work together: this work would channel their love of all kinds of art and pop culture, their sense of optimism and play, and their rejection of authority over their work. Into this mix came “The Ecstasy of Influence,” an essay by Jonathan Lethem about cultural ownership and inspiration. This essay crystallized and articulated their experiences, ideals, and notions about art and inspiration and became the guiding force in their work. With their manifesto in place and their first projects in development, The Plagiarists were born.
About “The Ecstasy of Influence”
The core of the essay is that current accepted ideas about plagiarism, borrowing, and remaking art are not only detrimental to creativity, but also a historical aberration; that art – be it plays, books, music, paintings, comics, whatever – is a gift given to its audience; and that drawing on those gifts to make your own work is how the artistic creation process actually works. But it is not enough to simply adapt or appropriate – we seek to make new art out of what has gone before, not remake the same art over and over. Towards that end, we see our mission as not to simply to steal, but to bend and break those stolen objects into new forms, new ideas, and new theatre. We believe that theatre is inherently a living, breathing form that demands new approaches and new works for (and from) each generation to remain vital and retain cultural relevance. Additionally, it must have a distinct voice, not just in the theatre community, but in the modern cultural context of music, movies, television, the Internet - all the art end entertainment available to people.
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PRODUCTION INFORMATION
COMPANY LEADERSHIP AND MEMBERS
Christina Casano (she/her/hers) is a theatre artist based in Chicago. Her training includes a BA in Theatre from Miami University and the Shakespeare Theatre of New Jersey's Summer Professional Training Program. She was selected for Victory Gardens Theater’s Directors Inclusion Initiative for the 2019-2020 season, and served as the Assistant Director for How To Defend Yourself. Selected directing credits include: Poison (The Plagiarists), Anne Frank, Sleepy Hollow (GreatWorks), The Living Newspaper Festival (Jackalope Theatre) and the New World Play Festival (Nothing Without A Company). Other favorite projects include Some Like It Red and The Epic of Gilgamesh, etc. (The Plagiarists), Bury Me (Dandelion Theatre), The Light Fantastic (Jackalope Theatre).
Photo by Joe Mazza - Bravelux
Jack Dugan Carpenter (he/him/his) is a director and actor who has worked with theatre companies across Chicago. He has collaborated with The Plagiarists on a number of productions, including directing Münsterspiel, Some Like It Red, Gilgamesh, these saints will burn, War Song, Matryoshka and Caesura: A Butchery (for which he was also a co-adapter) and assistant directing The Wreck of the Medusa. He's also been seen in the company's productions of The Feast of Saint McGonagall and King Ubu. Elsewhere in Chicago, Jack directed Charley’s Aunt, The Woman in Black, Measure for Measure and Figments with Saint Sebastian Players, The Alchemist and The Armageddon Dance Party with Nothing Special Productions and staged readings of The Shape of Things and Sight Unseen with Black Cloud Gallery, as well as a workshop and staged reading of Hammer for The Right Brain Project. Other regional credits include assistant directing at Writers Theatre in Glencoe (The Old Settler, under the incomparable Ron OJ Parson), Scapin at the Illinois Shakespeare Festival (assistant to Karen Kessler of A Red Orchid Theatre) and creating the new commedia dell'arte greenshow The Journey to Egypt at ISF. He directed Equus, Julius Caesar, 4.48 Psychosis, The Dumb Waiter, The Fan, The Memorandum, and Nobody Here But Us Chickens, all at ISU where Jack received his MFA in directing. And as a member of Lincoln Nebraska’s Rough Magic Productions, he directed Description of a Struggle, The Epic of Gilgamesh as Told By Mr. George Smith, Associate Curator For The British Museum (Deceased), Pure Anima, Mr. Marmalade, The Mutants and Kid Simple: A Radio Play in the Flesh.
More information and a selection of portfolio images can be found at: www.jackdugancarpenter.com
Photo by Joe Mazza - Bravelux
Image by Joe Mazza of BraveLux
Julia Stemper (she/her/hers) has spent most of her Chicago tenure playing with the many talents of The Plagiarists, playing multiple characters at a time all starting with Matryoshka in 2013. She officially joined The Plagiarists as a company member after singing an aria while throwing rocks on stage in Belladonna Luna Sonata, and has continued to enjoy the fun they have onstage, in salons, dancing and making art ever since (most recently as the bold Voisin in 2020's Poison). Julia brings to the group a BA at a crunchy granola college (Macalester), several years navigating politics and theater in Washington, DC while coordinating a daily free show (The Millennium Stage at The Kennedy Center) and an MFA from Scotland (the Royal Conservatoire of Scotland in Glasgow). A Chicagoan since 2010 she's worked with many companies around town, taught some yoga (currently catch her periodically teaching live and online for Wildlight Yoga) and founded a touring Shakespeare company (Stone Soup Shakespeare). She also makes pie.
Sara Jean McCarthy (she/her) grew up in northern Minnesota swimming in the lake and being bewitched by the northern lights. Since that is clearly not a viable career choice, she decided to go to Acting School. Sara moved to Chicago to attend the Theatre School at DePaul University a lot of years ago and has been happily playing around in the vibrant and uber-supportive Chicago community ever since. She has worked with The Griffin, The Hypocrites, Caffeine Theatre, The House, Boho Theatre Ensemble, and Run-a-Muck productions, among others, and has dabbled in some tv and film work as well. Sara also has been fortunate to be a part of writing and devising some pieces here and there, which has made her very happy. Some of these collaborations, along with a bazillion other reasons, are why she is THRILLED to be a new company member of The Plagiarists, where she feels very at home.
Brittani Yawn (she/her/hers) is a performer based in Chicago. Originally from Cleveland, OH., Brittani has earned her BA in Theatre from Miami University. Some of her recent credits include Poison (The Plagiarists), The Suffrage Plays (Artemisia Theatre), Season Pas: Deux Over (The Plagiarists), I AM… Fest (Black Lives, Black Words International Project) and The Ridiculous Darkness (Sideshow Theatre Company). She has also performed with Hell in a Handbag Productions, the Annoyance, and iO, among others. Brittani is a 2020 Second City Bob Curry Fellow.
(Plagiarists co-founder)
Gregory Peters (he/him) is a founding member and former Artistic Director of The Plagiarists. He’s an Air Force brat, which means he has trouble answering even basic questions like “Where are you from?” without essay-length explanations and qualifications. For The Plagiarists, he wrote Matryoshka, Some Like It Red, Münsterspiel, and The Epic of Gilgamesh as Told By Mr. George Smith, Associate Curator For The British Museum (Deceased); directed Living the Dream, Promiscuous Stories, The Feast of Saint McGonagall, and belladonna luna sonata; and co-wrote/adapted The One About The Green Detective, Promiscuous Stories, American Stage Sessions, The Wreck of the Medusa, Caesura: A Butchery, King Ubu, Season Pass, Ubu II: Electric Boog-Ubu, and Season Pass: Deux Over. Other Chicago credits include directing Girl in the Goldfish Bowl for New Leaf Theatre and assistant directing/co-adapting The Alchemist for Nothing Special Productions. As Artistic Director of Nebraska’s Rough Magic Productions, he directed Fool for Love, Sick: A Love Story, Lobster Alice, Tape, Private Eyes, Touch, Matt & Ben, and a number of shorter pieces; wrote Description of a Struggle; and co-wrote Pure Anima. He also directed As You Like It, Murder in the Cathedral, and The Baltimore Waltz for other local companies.
Art in the Time of Plagiarism 10, June 2017
Clara Byczkowski (she/they) is a Chicago based theatre artist and an ensemble member with The Plagiarists. Chicago theatre credits include I Build Giants, and UBU II, Electric Boog-UBU (The Plagiarists), Girl Found (Idle Muse Theatre Company), Unifying the People: The Rudy Lozano Story (Valiant Theatre), Born Ready (The Factory Theatre), & You Are Here: Camino (Theatre Y) among others. Clara received her BFA in Theatre from University of Illinois Urbana-Champaign and currently daylights at OPEN Center for the Arts. Check out more clarabyczkowski.com
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Art in the time of Plagiarism 9 - May 2016. Photo by GracePisula
Image by Joe Mazza of Brave Lux
Reagan James (she/her) is an actor, artist, and storyteller currently calling Chicago home. She's lucky enough to be joining the Plagiarists and is absolutely stoked to collaborate with other artists. Some of her favorite projects are You Are the Blood with Midnight Summit Ensemble, Plaid As Hell with Babes with Blades Theatre Company, Millennial Bears at Second City, Fractured Fairy Tales with GreatWorks Touring Theatre, and I Build Giants with the Plagiarists. She's passionate about developing new work, staged reading workshops, collaboration, and storytelling. Outside of theatre she's probably cooking, taking care of her houseplants or playing with her pup. She definitely wants to see photos of your dog.
Technical Director; Image by Joe Mazza of Brave Lux
Paul Kastner (he/him) grew up in St. Louis, Missouri where they say things like, "take highway farty-far," and, "eat your carn with a fark." He has been laughed at by many people for the way he says things like "war" and "drawer." As a carpenter and stagehand, he has worked for Steppenwolf, Chicago Shakespeare, and dozens of other theaters in Chicago. He served as technical director of the Drury Lane Water Tower Theater, worked on Million Dollar Quartet for a (very) long time, and did a stint with the first national tour of Xanadu which is arguably the finest musical based on a film starring Olivia Newton John. As a Plagiarist, Paul has directed and co-written I am Saying this Right Now, Season Pass, and Season Pass: Deux Over, assistant directed Ubu II, written and performed in American Stage Sessions, and technical directed Promiscuous Stories, The Wreck of the Medusa, The Feast of Saint McGonagall, and belladonna luna sonata.
With his never diminishing impostor syndrome, Stephen McClure (he/him) is still amazed he has yet to be exposed as a fraud. Plagiarist appearances include Matthewson, the pith helmet wearing expedition guy who yelled, in The Epic of Gilgamesh; Captain Sweet Pea, the entitled militia guy in shorty-shorts, cowboy boots and a boy scout uniform who yelled, in Ubu II; Malush, the military guy who got drugged, freaked out and yelled, in Some Like it Red; Nips, the guy with a limp and infatuation for rules who yelled, in Munsterspiel; and Colonel Majors, of course there will be yelling, in the upcoming Season Pass: Deux Over. Other Chicago credits include Timms in The History Boys (Eclectic Full Contact Theatre) and Tate in the midwest premiere of finding grafenberg (trip.). He would like to thank and recognize both his experience and biologically acquired families for their continual love and support.
In addition to performing with the Plagiarists, Stephen is also a member of the company's Literary Committee. If you are a playwright interested in what the Plagiarists do and have a full script, partial script, or even just an idea, he highly encourages you to contact the Lit Committee. More info on the dedicated Literary Committee page!
ARTISTIC ENSEMBLE
(Artistic Ensemble-Stage Management)
Becky Bishop’s (she/her) first productions with the Plagiarists were as stage manager for Circle House and Some Like it Red. Other companies she has worked for include: Lifeline Theatre, Griffin Theatre, Strange Tree Group, Steep, Caffeine Theatre, and the Gift. She has been a non-equity stage manager since 2006. Born and raised in the Chicago area, she spent 4 years in Minnesota earning her BA in Theatre and English from Winona State University before returning to the city she loves. Having been a traveling nomad around Chicago storefronts for the majority of her career, she is pleased the Plagiarists have given her a place to call home.
(Artistic Ensemble-Acting)
Bryan Breau (he/him) is happy to be welcomed into The Plagiarist family! You may have last seen him on stage as Arthie in Circle House and George Smith in their production of The Epic of Gilgamesh. Born and raised in Northern Virginia, Bryan has been in Chicago since graduating from Virginia Tech in '06 and relocating Andersonville. In his time here Bryan has worked with the likes of Polarity Ensemble Theatre, The Side Project, Oracle Productions, and Halcyon Theatre among others. He is also an Artistic Associate ensemble member of Abraham Werewolf as well as a founding company member of the local independent mixed-media production company Broad Shoulders Productions. Bryan's motto is to keep it weird, and he thinks he has found an outlet for that here with The Plagiarists.
(Artistic Ensemble-Playwright)
Jessica Wright Buha’s (she/her) writings have been performed by The Plagiarists (I Am Saying This Right Now) of which she is a company member, Wildclaw Theatre (Alabama Mermaid, winner of Deathscribe 2011:The Fourth Annual Festival of Horror Radio Plays), the Whiskey Rebellion (Sign of Rain, Tennyson Spade), and Tooth and Nail Ensemble (Under Ground, directed by Marti Lyons). Locally, she is a solo performer (2011 Fillet of Solo Festival), a props designer (Lifeline Theatre’s Treasure Island), and a dramaturg (Lookingglass Theatre's Our Future Metropolis). She has been the resident assistant stage manager at Lifeline Theatre since 2008, and is also a founding member of the Lifeline Storytelling Project, a spoken word group performing weekly in Rogers Park. Jessica is a proud graduate of the University of Chicago, where she received the Olga and Paul Menn Foundation Prize for her play Under Ground. Upcoming writing projects include Wake: A Folk Opera, performed by the Whiskey Rebellion in October 2012, and The Feast of St. McGonagall, performed by the Plagiarists this past November 2012.
(Artistic Ensemble-Costume Design)
Emma Cullimore (she/her) was born in Missouri, fell in love with fireflies in the cornfields of Iowa, learned to say y'all and do the Texas 2-Step in the South, climbed to the top of a mountain in Utah, and took Amtrak across the country because she could. Driftless after her adventures, she declared Chicago her home in 2011, and hasn't looked back. She is incredibly grateful for the cup of coffee that led to her first invitation to play with the Plagiarists, and for the continued opportunities to create with this amazing group of people. Emma holds an MFA from the University of Tuscaloosa- Alabama, and proudly declares Roll Tide.
(Artistic Ensemble-Acting)
Grace Hutchings is a Houston native who got her B.A. in Theatre at the University of Northern Colorado. Since moving to Chicago, she has been performing is theatres around the city. She was recently seen in the Plagiarist’s productions of Endeavour Mind and Munsterspiel. She has also worked with other Chicago theatre companies such as Nothing Without A Company, Shakespeare All-Stars, Oil Lamp, and the Asian Improv Arts Midwest. Film credits include the short horror film, Mister Sticks. In her free time, she enjoys cooking, traveling, and horror movies. Grace is represented by BMG Talent.
(Artistic Ensemble-Lighting Design)
John Jacobsen (he/him) is a graduate of The Pennsylvania State University’s BFA Theatre Design & Technology program. Prior to Penn State, John spent two years at the University of Nebraska – Lincoln. Credits in Chicago include the lighting designs for Living Canvas RX, War Song, Matryoshka, The Feast of St. McGonagall, Figments, I Am Saying This Right Now, Caesura: A Butchery, The Alchemist, and The Armageddon Dance Party. Awards include USITT’s 2007 Lighting Design Award for Young Designers & Technicians. John is also an architectural lighting designer with the Chicago office of Schuler Shook, where his recent projects include the Wallis Annenberg Center for the Performing Arts in Beverly Hills, CA and the David H. Koch Theater at Lincoln Center in New York, NY.
(Artistic Ensemble-Acting)
Tony Kaehny (he/him) has workshopped plays, appeared in and directed pieces for their excellent bi-annual Salons, and appeared on stage- once interviewing a crab puppet and another time operating a crow puppet. Coincidence?? He has done other fun stuff with other theater companies, and sometimes does voice work. He is seriously considering getting a dog.
Artistic Ensemble-Acting; Costume Design)
Carina Lastimosa (she/her/hers) is a San Francisco Bay Area native, currently residing in Chicago, where she’s found her artistic home with The Plagiarists! Primarily working as an actor, Chicago theatre credits include the world premieres of W.o.W. (Theatre Above The Law), Poison and I Build Giants (The Plagiarists). Selected SF/Bay Area theatre credits include: Sisters Matsumoto (Center REPertory Company), A Dreamplay (Cutting Ball Theater), Dogeaters (Magic Theatre), The Day The Crayons Quit (Bay Area Children's Theatre), Slaughterhouse-Five and Top Girls (Custom Made Theatre Co.), Marat/Sade (Thrillpeddlers), A Kind of Sad Love Story (Bindlestiff Studio) and as a performer/educator for Kaiser’s Educational Theatre. In all her work, Carina aims to celebrate and highlight the strength of Filipino/a/x-Americans. This mission has led her to branch out in other theatre disciplines such as playwriting and directing. In July 2021, her short play The White Room was selected as one of the recipients of Exposition Review’s Flash 405 contest which received an online publication and a production by Our Digital Stories. In July 2022, she will direct Sarah Lina Sparks’ short play Sunshine and the Sea of Lost Things for Ghostlight Ensemble’s Make/Believe festival. Carina is a recipient of the Theatre Bay Area TITAN Award and a graduate of Indiana University. Carina is represented by Lily’s Talent Agency. www.carinalastimosa.com
(Artistic Ensemble-Acting)
Lynnette Li (she/her) loves to act, sing, write, and tell stories. She’s a little awkward with small talk and would prefer to go straight to trying to understand what truly gives your heart a reason to beat. She’s originally from Metro Detroit, has lived in Kalamazoo, China, Boston, Los Angeles, but loves calling Hyde Park, Chicago home these days. She has relished her time on stage with the Plagiarists as Frances Westmore in Endeavor Mind, and Margot Vigoreaux in Poison. She teaches early-childhood Music TogetherⓇ classes with Marsha’s Music. Lynnette thinks that children are the most brilliant, kind, open people in the world, and believes the key to changing the world is in how we spend time with kids. She will literally eat anything that somebody presents to her as delicious, especially if it used to live in a shell, with particular weakness for salt and fat. She is married to one of her high school best friends, and together they parent two awesome kids. She’s represented by Shirley Hamilton, Inc. Other credits and musings at www.lynnetteli.com.
(Artistic Ensemble-Acting)
Jessica Saxvik (she/her) You know Jessica. She’s the one you saw play Olivia in The Plagiarists production of I Am Saying This Right Now. Didn’t see the show? Ok, she’s the one that’s tall-ish with the red-ish hair and she wears glasses but not all the time. Not helping? She was also in What Dreams May Come, American Visions Through Jewish Eyes at The Piven Workshop Theatre a while ago, and she’s starred in two films with Eye Sprocket Productions. No? Alright, let’s see. Um, she plays the mandolin and sings in this band, called The Cablecars. She is fascinated with dance and movement, especially in its connection to theatre. She graduated from Illinois State University, so she has developed a great palate for corn and cheap beer. She’s from Libertyville, Il, originally, and loves to take the short drive home to spend time with her parents. They are very cool. Her favorite band is The Hollows, not just because her brother is a member, but because they are incredible artists. What else, what else? Due to some childhood dreams coming wildly true, she now lives with three dogs and a wonderful man, and goes to a Bears game at least once a year. And now, she is a new company member with The Plagiarists, and she has little bruises everywhere from pinching herself. Seriously, nothing? Well please, just keep an eye out for her, will you? She just ate the entire cheesecake I bought for this party and she needs to go buy me a replacement.
(Artistic Ensemble-Design)
Melissa "13andit" Schlesinger is a multi-disciplinary creative mercenary specializing in MacGyvering and magic. She has loved the Plagiarists since working on sound for Matryoshka. Then there was King Ubu, War Song, Season Pass, these saints will burn, belladonna luna sonata, Ulysses, & Münsterspiel where she juggled scenic, sound, and even scent designs. Melissa creates worlds for the stage, galleries, events, haunts, room escape games, and on screen. Melissa is the Lead Designer and a founding member of Escape Artistry, home to a showcase of her sonic, scenic, and puzzling interactive environments. A third generation artist, Melissa studied Theatre Production and Studio Art at Bradley University. www.melissaschlesinger.com
(Artistic Ensemble-Playwright)
Robert Stewart (he/him) creates work w/ the ‘wet rats’ theatre collective in Lincoln, NE. In addition to writing, he has served in various & sundry other capacities (including performance, props, direction & lighting). Notable works include ‘the living room’- a 9-month-long serialized play at the Tugboat Gallery in Lincoln, ‘glass jaw fragments’- a puppet musical w/ live accompaniment performed at multiple homes & bars in Lincoln & Omaha, ‘these saints will burn-’ at the Lincoln Bike Kitchen & most recently, pizzazz (unincorporated)- performed at SP CE Commons in Lincoln. His play ‘the mutants’ was given a reading at the Great Plains Theater Conference in 2008 & in 2010 he was granted an artist’s residency at the Kimmel Harding Nelson Center for the Arts. In 2014, he received an Individual Artist Fellowship from the Nebraska Arts Council. He has been a happy member of the Plagiarists’ Artistic Ensemble since 2014.
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PLAGIARISTS AT LARGE
Chad Brown
James Dunn (co-founder)
Nick Freed
Charlesanne Rabensburg
Katie Ritchie
Jack Tamburri
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MEMBER HISTORY
Member History
The Plagiarists, December 2018 - Photograph by Jeff Duhigg
Casey Adams
Kaitlin Byrd (co-founder)
Katie Cork
Nick Freed
Layne Manzer (co-founder) 2007-2014
Derik Marcussen
Ian Miller (original image and branding creator)
Kim Miller
Elaine Small
Jack Tamburri
Justine Turner (co-founder)
Lindsay Verstegen (co-founder)
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THE PLAGIARISTS BOARD OF DIRECTORS
Bridget Barclay-Peters
Jack Dugan Carpenter, Treasurer
Christina Casano ex officio
Kim Z. Dale
Samantha Decker, President
Dawn Kippes
Gregory Peters, Secretary
James Snyder
The Plagiarists' Advisory Board
David Cromer
Holly Lecorchick, CPA
Jennifer Shook
Bill Siegel